23 Jan

More shared musical DNA

in music

Another quickie for everyone. This one's another example of the way my brain looks for connections (and this time probably where no intentional connection exists). Listen to snippet 1, then see if you hear the connection my brain made to snippet 2.

08 Jan

Music quickie

in music

Sentence spoken to Amy (and finished by her before I got the first 3 words out) while I was listening to "Before Me and You" by SHeDAISY:

It's like what would have happened if Wilson Phillips had grown up listening to country music.

14 Nov

Conservation of energy

in geekiness

For years I have been enamored with the basic principle of conservation of energy. I know that's a bit weird, but since when is that a surprise?

Why? At heart (or at mind, maybe?) I really am much more of a deductive rather than an inductive reasoner. When presented with a problem, my mind naturally seeks to simplify it, to identify non-pertinent information so that it can be removed from the analysis, to classify the problem so that the number of potential solutions or analysis techniques can be reduced. This is very objective-oriented thinking, and it isn't always helpful. That's one reason why I like working with people who reason very inductively. It just makes sense, and it helps me challenge myself to be more open and less critical.

Often, however, deductive reasoning is very helpful, and I love collecting tools for my mental toolbox that help me out with this. I have found that one of the most powerful and useful of those tools is the principle of conservation of energy. In short, it says that in a closed system, energy can neither be created nor destroyed, but can only change form. This principle is exceedingly useful in cutting through thick layers of doubt, ambiguity, and bullshit when discussing or evaluating any number of energy-related topics, from tiny to immense.

Conservation of energy is the kernel at the root of my argument in a previous post here that hydrogen won't save us. By the way, that particular instance illustrates a particular challenge in evaluating any claim about energy: the system being evaluated must be closed. If the evaluation doesn't encompass the entire system, it may not be valid.

Conservation of energy is beautiful for shortcutting around ambiguous and deceitful claims made by people trying to sell us on their latest (and always proprietary) devices, fuels, processes, etc. for free (or almost free) energy. If it walks and talks like a perpetual motion machine, then get out the waders, because it won't work.

Now we get to the specific reason why I chose tonight to wax prosaic about conservation of energy. Take a look at an article I saw today on CNN (follow the linked text).

First, let me say that I'm actually impressed with the article, because unlike most times when things like this happen, the article stopped short of actually claiming that this is anything more than a really interesting accidental experiment result. I want to keep an eye on this so I can see what the scientists learn from it. I'm also very interested to learn more about the work that this developed from: trying to use RF energy as a way to kill cancer cells. Interested students should read the article and note that the novel part of that isn't the heating effect of the RF, but the implication that they might be able to seed only the cancer cells with the nanoscopic metal particles that facilitate the heating. That's pretty interesting.

However, if all the information given as fact in the article is correct (particularly that the flame is wholly due to burning hydrogen), I have all the information I need to say that this experiment does NOT represent a way to use salt water as an energy source. How can I be so bold? Well, combustion is really just rapid oxidation with heat as an interesting side effect. The hydrogen combines quickly with oxygen, producing water and releasing energy in the form of heat. But... where did the hydrogen come from? It came from the water in the test tube. Somehow the hydrogen is being separated from the oxygen. I don't know exactly what mechanism is causing this separation or exactly how the salt and the radio waves facilitate it. But, I don't have to, because I know that this separation absorbs energy (just as the re-combination releases it).

Better than that, because of conservation of energy, I know that the separation of the hydrogen and the oxygen must absorb at least as much energy as is liberated when the hydrogen is burned. That energy must come from somewhere, and it's not exactly a mystery. I would be willing to bet real money that if measured properly, there is measurably more electrical energy going into the RF generator used in the experiment than there is thermal energy coming out of the combustion of the hydrogen. It would almost certainly be much more efficient just to take that same electrical energy and use it to produce heat directly using electrical resistance.

I realize that that's pretty much a "duh" moment for most of my friends. Even the article itself references "skeptics" that say exactly the same thing (if more succinctly). I just wanted to subject you all to the little *squee* moment I have in my own mind every time I'm able to do this. :)

22 Oct

Back to regular life

in Travel

Wow. Four days and change spent in New York, and my first time in the city at that. I have no idea where to start yet. I've spent most of today just readjusting to "regular life", but honestly that has more to do with how I react to being outside my routine than with New York.

I think my first shot is going to be to say that I ended up feeling not nearly as overwhelmed as I thought I would. It's without a doubt a challenging city. It's tuned for the idea of people knowing exactly what they're doing and exactly what they want... optimized for speed and efficiency of human interaction. For a first-time tourist, though, I really did pretty well, and I want to go back.

More later, but I figure that's a pretty good starting point and a pretty telling statement.

02 Oct

What solo?!?

in Huntsville Master Chorale, life events/news, music

Quick note: this post is really part 2 of a multi-part post about my experience in the Huntsville Master Chorale. If you haven't read the first post, go do it now. :)

So, I left off at just about the point that I was beginning to believe that I could handle this new music by the time the concert came around.

At this point, I feel like I should stop and say how much fun it is to sing for our director, Tom. A very good friend of mine got in the habit of posting funny things that her choir director said during rehearsals. I remember reading those and being downright jealous not only that she had her own "musical outlet" but also that her director found such joy in the process. After my very first practice, I knew it was going to be that way with Tom. He's funny, he's incredibly patient with us, and it seems obvious to me that he loves doing it.

Side note: I actually started notating "Tom-isms" in my music for later posting, but unfortunately I didn't get around to posting until now... after we turned in our music. Maybe I'll do better over the coming practice cycle.

Anyway, that bit about Tom actually leads into the next part of my story. We were finishing up practice one night, and Tom said that he wanted the various soloists that he had assigned for the Gospel Mass to hang around for a few minutes (as he had asked in an email sent out previously). I was busy shoving my music in my folder and getting ready to walk out, when Tom looked straight at me and said, "Let's go over yours right quick."

I swear that right then and there I had one of those "Who's he looking at behind me?" moments, with the dumb look on my face and everything. I think I even turned around to see who he was talking to. I may have managed to say, "What?" Tom said, "Yeah. Didn't you get the email I sent out?" My response: "Yeah. I remember seeing an email about solos, but I didn't occur to me that I actually needed to read it." Tom (looking at Sharon, our piano accompanist): "Listen to this guy!"

Sure enough, at the bottom of the email I had ignored, Tom had asked if I would look at one of the 7 or 8 measure "mini solos" he had carved out of the Sanctus. He said that he thought the range fit my voice well and that I might enjoy working out how to embellish it. "Dumbfounded" is not a word I often use to describe myself, but there I was. I read it cold once or twice that night, apologized for not paying attention to the email, and told him I would work on it for the next practice.

I poked at it over the next week, and I figured out where it felt like it wanted to go. I can't really tell you from where I drew the inspiration. Honestly, it felt pretty over-the-top to me, but it also felt right. Tom really didn't give any of the soloists any constraints or specific style instructions. I think he really wanted to find out what each of us would do to personalize it.

I unleashed my interpretation on the Chorale at the next practice. I had no clue what everyone was going to think of it, and I was still wondering why it was me and not someone else doing it. Don't get me wrong... I do pretty well, but I'm nowhere close to the best in this group. The initial reaction, I think, was surprise. That could have been either good or bad. I'll skip the dramatics (and also the specifics) and say that from that point all the way through the concert performance on Sunday, I got more compliments and encouragement than I ever expected. Given that even I don't know exactly from whence it came, it was interesting to hear folks ask me specifics about my musical background in response to the solo. I think Sharon was probably on the right track when she said she could hear elements of contemporary Christian music.

I think I'm going to end up with 3 posts out of this. I still want to talk a bit about the literature we performed, but that feels like it needs to be another installment. :)